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supported by 42 fans who also own “fallin (prod. TUNA DISPLAY, BIO, Galen Tipton, and Diana Starshine)”
lava is a beautiful intro n track 6/ attention brings me joy⭐️<3 ill have this in my car going home on the 5 i look forward to this
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Never Stop Texting Me
by Claire Rousay and More Eaze
supported by 20 fans who also own “fallin (prod. TUNA DISPLAY, BIO, Galen Tipton, and Diana Starshine)”
The drums on "hands" sound ecstatic; it's so fun to listen to them kick in. This is an emotionally-blissful pop album that widens one's perception of what can be done within such a format. I felt my pineal gland vibrate, (definitely kind of a "sigh,") and tripped out— I thought about it for hours. How the hell does mind correlate with matter?? Because I think it doesn't even.
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supported by 19 fans who also own “fallin (prod. TUNA DISPLAY, BIO, Galen Tipton, and Diana Starshine)”
when i first listened to this album around its initial release, i was hooked immediately!! the breakcore in Salesforce is fabulous. it is so perfectly illustrated in a way that it sounds like insanity in its rawest audible form. the transition from the reliance of drums to the piano pieces was a treat, ending off beautifully with Halt Draft. normally, significant genre shifts annoy me, but the piano arrangement and sharp contrast is too good for me to dislike
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Orchid Underneath
by Jane Paknia
Delightfully unpredictable debut from a New York electronic producer and composer with backgrounds in psychedelic rock, jazz, and indie pop.
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Don't be fooled by the iridescent sheen of this glitchy electro-pop artist from London; her music has a tender heart.
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A dreamy co-mingling of hyperpop fizz and dark ambient thump from NYC's ORACLE666, billed as a "book of astral love spells."
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supported by 19 fans who also own “fallin (prod. TUNA DISPLAY, BIO, Galen Tipton, and Diana Starshine)”
A legitimate vape opera in need of a stage adaptation.
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